James Chance + Manual for Errors

Doors: 20:30
Manual for Errors: 21:30
James Chance: 22:30



JAMES CHANCE

James Chance is a legend: the free form playing of Albert Ayler with the solid funk rythm of James Brown, though filtered through a punk rock lens.
A key figure in No Wave, Chance has been playing a combination of improvisational jazz-like music and punk in the New York music scene since the late 1970s, in such bands as Teenage Jesus and the Jerks, James Chance and the Contortions, James White and the Blacks, The Flaming Demonics, James Chance & the Sardonic Symphonics, James Chance and Terminal City, and James Chance and Les Contortions. His music can be described as combining the freeform playing of Ornette Coleman with the solid funk rhythm of James Brown, though filtered through a punk rock lens.
Born and raised in Milwaukee and Brookfield, Wisconsin, Chance attended Michigan State University, then the Wisconsin Conservatory of Music in Milwaukee, dropped out and moved to New York City in 1976. He quickly became active in both the free jazz and no wave punk rock scenes. His first band in New York in 1976 was an instrumental quartet with violin, drums and bass called Flaming Youth. After studying for a short time under David Murray, Chance formed The Contortions, who fused jazz improvisation and funk rhythms, with live shows often ending in violence when Chance would confront audience members. The Contortions reached a wider audience with their contribution to the Brian Eno-compiled No New York collection of No Wave acts. Chance’s stage and musical persona were finalized by romantic partner and agent Anya Phillips, who died of cancer in 1981. Frictions between Chance and band members eventually led to a breakup of the Contortions in the fall of 1979. The Contortions released one album, Buy, in late 1979, and another album, Off White, under the pseudonym James White and the Blacks in 1980 (featuring Lydia Lunch under the pseudonym Stella Rico). Chance re-formed James White and the Blacks with a completely different lineup that appeared on the 1982 album Sax Maniac which was dedicated to Phillips. The group released one more album, Melt Yourself Down, a very limited Japanese release.
The first version of the Blacks was set up by Joseph Bowie. Shortly after, Defunkt emerged out of the Blacks. In 1982 Chance toured with the re-formed James White and the Blacks with his brother David “Tremor” Siegfried and his band David and the Happenings from Carbondale, Illinois, playing Chicago, their hometown Milwaukee, and much of the Midwest. Chance briefly relocated to Paris, returning to New York City in 1983 to record the album James White Presents The Flaming Demonics. In 1987, he contributed saxophone to The False Prophets’ Implosion album.
In 2001, Chance reunited with original Contortions members Jody Harris (guitar), Pat Place (slide guitar) and Don Christensen (drums) for a few limited engagements. Original keyboard player Adele Bertei appeared briefly, but bass player George Scott III had died of an accidental drug overdose in 1980 and his slot was filled by Eric Sanko. The reunited group has played twice at the All Tomorrow’s Parties music festival, and, in 2008, at the PS1 Warm Up series. Chance has also recorded with Blondie since coming out of his semi-retirement. Tiger Style records released the 4-CD box set retrospective Irresistible Impulse to critical acclaim in 2003.
In addition to limited engagements with the original Contortions, Chance has occasionally performed and recorded with the Chicago band Watchers.
In 2009 Chance made occasional appearances playing keyboards in NYC with a trio, with the material restricted to close readings of jazz standards. In June 2012, Chance played in Portland, OR with local group Ancient Heat as his backing band. They played a number of songs from various points in his career, including a new cover of Gil Scott-Heron’s “Home is Where The Hatred Is.”
In early 2013, James toured Europe extensively with a french backing band Les Contortions to promote the album Incorrigible!, released in 2012, and also made his first ever South American appearance, in Sao Paolo, at Virada Cultural 2013.
In the 2016 James Chance & The Contortions released a new album The Flesh Is Weak.
James continues to play engagements in USA and Europe. He is also available for jazz standards piano sets and wild DJ sets with sax.

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